Ambivalences and disruptions become visible in these outfits and their photo- graphic stagings. Opposites are being firmly set: waste and the new, things fragile and strong, digital printing and silkscreen, black and white vs. colorful, sports and war, the romantic scenery of harbors and a battlefield, nostalgia and modern industry, the personal and global politics, the intimate and the public, the puerile and the mature, the artificial and the natural, comforts and inconveniences, clothes that fit individual bodies and those that force their form unto them. in their interplay, these dualisms become a productive paradox.

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